Ranking Everything: The Albums of Radiohead

Wow. What an incredible experience this week has been for me. I have tackled the Radiohead catalogue - most of which was my first time through - and my life is significantly better for it. Because of OK Computer, which I had heard previously ad nauseum, Radiohead was already one of my favorite bands. Now, they probably make my all time top 10. This is without a doubt the biggest band in the world right now. No other band balances such popularity with such quality output. Much like most of the stuff I will be ranking on the site, you cannot consider yourself knowledgable about music without having gone through this body of work.





1.) OK Computer - Not only the band's best album, this is the runaway best album of the 1990s. Actually, this is one of the 20 best albums of all time. I'm not sure if it's perfect, but it's really, really close. This album works on every level. It works as a collection of individual songs, as a cohesive work of art, as a bold lyrical statement, a bold musical statement and as an all-around aesthetic masterpiece. This album is everything alternative rock can be and more.



2.) The Bends & Kid A (tie) - From what I can tell, there are two types of Radiohead fanatics. Some that love their alt/rock side more and some that like their electronic side more. Although OK Computer leans more to the alt/rock side, these two albums are your chief arguments for each side. The Bends came out right before OK Computer and is decidedly alt/rock. It has what may be the best Radiohead song of all on it in Fake Plastic Trees. Kid A, on the other hand, is your quintessential electronic Radiohead album. I wouldn't call this a full blown electronic album (keep reading for my thoughts on Amnesiac, which is one), but whatever it is, it's epic. It works better than The Bends as a cohesive unit of an album. It doesn't have the FPT-type song to carry it in that regard but it doesn't need it. At gunpoint, I prefer the alt/rock Radiohead but, quite frankly, if they wanted to try polka I'd be all over that album, too.

4.) In Rainbows - The band's latest is a bit of a throwback to the Kid A time period in my opinion. The most critically acclaimed album of 2007 does not have the high points of the three previous albums... or really the next two for that matter, but it works in a different way. I've read it labeled a trance album. I'm not sure of the parameters of the trance genre, but I can tell you this album sure has the capacity to put the listener in one. This is not to be confused with being bored by it, but rather it is paced in an interesting way. Around the 3/4 mark of the album it takes it up a notch to leave you with a nice taste in your mouth and a comfort in the knowledge that Radiohead is as good now as they were ten years ago.

5.) Pablo Honey & Hail To The Thief (tie) - I know, two ties in one small list, that's pretty lame. These albums don't have a whole lot in common (much like the previous tie) but it's hard for me to think of one being better than the other. Pablo Honey is the band's debut effort and it is, by a large margin, their least critically acclaimed. Hail To The Thief, meanwhile, is their second latest and is definitely on the electronic side of the band's catalogue. Despite the low ranking, I have to say I really, really like both of these albums. I feel Pablo Honey is unjustly regarded as their worst when it's just a different animal. It's a great debut album by any measure, it's just not some unified work of art. It is, for its time, quite regular. Post-grunge, pre-alt/rock, whatever. The fact is, it really has some great high points. Some of these songs hint to the brilliance the band would show on their next three albums and the others are hardly unpleasant. Hail To The Thief is actually similar in that regard. It has some really high high-points and the rest is pleasant. Its problem is that it meanders and is not really a cohesive unit like every other Radiohead album outside of, oddly, Pablo Honey.

7.) Amnesiac - Last but not least we have Amnesiac. This is an album that is about as electronic as they get. For many of the songs Thom's incredible voice is altered to create a different sound. It's not a BAD sound but I had a hard time getting into it. The long stretches of weird noise was less appealing to me as well. I really have no problem with Radiohead leaning electronic (I obviously think highly of Kid A) but this is too far in that direction for me. I can see what they're doing with it and I appreciate that but it's just not for me. I don't know any other way to explain it.

All in all, this ranking was beyond rewarding for me. I can honestly say albums 1-3 will make my all time favorites list with the next three not far behind. Please please please comment and share your thoughts on the list, the band or the project in general. Still chipping away at the Kubrick filmography as well as the Cormac McCarthy bibliography. Not sure which band/artist I'll tackle next. Still open to suggestions on all of this. Until then...